Jerry Springer: The Opera - Richard Thomas
“Thomas finishes with the best scene, in which frumpy Chantel, the outstanding Adey Grummet, reveals she wants to be a pole dancer – and actually makes you care about her struggle.”
Warwick Thompson - Metro
“Chantel's aria about pole dancing, superbly sung by Adey Grummet, is a show-stopper. Grummet has a magnificent spinto-ish soprano voice that sounded huge in the small but echoing main house at BAC, and intense commitment that was perfect for the physically obsessed Chantel.”
H.E Elsom
Steve McNeff - Passions
“In this spare and serious work Alcestis is played by the wonderful Adey Grummet.”
Robert Thicknesse – The Times
“Grummet’s singing brought the determined, resourceful heroine to dramatic life in the powerfully written solos and expressive duets with the husband and with death.”
Margaret Davies – Opera Magazine
Un Ballo in Maschera
“The cast had many strengths. Adey Grummet’s Oscar was most popular.”
Tom Sutcliffe – Evening Standard
Pirates of Penzance - Sullivan
"Adey Grummet, chewing gum manipulator extraordinaire, turned the often over-sweet Mabel into a petulant miss whom you forgave everything when she sang the plaintive duet with Frederick.”
Caroline Franklin
J. Strauss - Die Fledermaus
“It’s not often that a maid steals the show but Adey Grummet does it. Coming on stage first she cleans the set and then gives an unexpectedly polished performance.”
Adam Trimingham – Brighton Evening Argus
“Adey Grummet steals the limelight with her outrageous Adele.”
David Denton – Yorkshire Post
“Adele is a gem to treasure from the remarkable Adey Grummet, who delivers a wicked laughter aria.”
Christopher Morley – Birmingham Post
“Adey Grummet’s Adele grew into a formidable comedian.”
Jan Smaczny – The Independent
“Adey is a person
“Adey is a person of the highest artistic integrity, with an honesty and straightforwardness of the very best kind.”
Norman Caplin, composer